Simurg, c. 1961-1964
Ghandriz painted fabulous mythical creatures in a deliberately primitive, graphic style that evokes traditional Persian designs—as seen here in Simurg and in his double-sided Animals and Betrothal (G1975.93). A member of the Saqqakhaneh movement, he often referenced traditional Iranian decorative art, from the metal standards carried in religious processions to textile patterns. Born and raised […]