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PRESS RELEASE<br>Irriṯitja Kuwarri Tjungu: Contemporary Aboriginal Painting from the Australian Desert<br>Grey Art Museum, NYU, December 2, 2025

NYU’s Grey Art Museum Presents First U.S. Survey of Australia’s Most Iconic Aboriginal Art Movement Irriṯitja Kuwarri Tjungu: Contemporary Aboriginal Painting from the Australian Desert January 22–April 11, 2026 Exhibition reflects on the fifty-year history of Papunya Tula Artists, Australia’s oldest Aboriginal-owned arts organization Press Contact Sofeia Eddy | sofeia.eddy@nyu.edu | 212-998-6782 [Download Press Release] […]

PRESS RELEASE<br>Handle with Care: Robert Rauschenberg’s Ecological Conscience<br>Grey Art Museum, NYU, September 9, 2025

NYU’s Grey Art Museum Joins an International Roster of Institutions Commemorating Robert Rauschenberg’s 100th Birthday Handle with Care: Robert Rauschenberg’s Ecological Conscience On view September 9, 2025–April 11, 2026 Drawn from the NYU Art Collection, works in the exhibition highlight Rauschenberg’s concern for vulnerable people, animals, and habitats. Press Contact Sofeia Eddy | sofeia.eddy@nyu.edu | […]

PRESS RELEASE<br>June Leaf: Shooting from the Heart<br>Grey Art Museum, NYU, September 9, 2025

NYU’s Grey Art Museum Presents June Leaf: Shooting from the Heart  September 9–December 13, 2025 The exhibition features more than 120 drawings, paintings, and sculptures representing 75 years of work by the idiosyncratic artist Press Contact Sofeia Eddy | sofeia.eddy@nyu.edu | 212-998-6782 [Download Press Release] [Download Image Sheet] (NEW YORK, NY, July 16, 2025)—NYU’s Grey […]

by Lance Esplund Occasionally an exhibition is as art-historically groundbreaking as it is visually arresting. Rarely, however, will it also force scholars to rewrite the origin story of European modernism. But such is the case with the aptly titled “Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde”—an enlightening, beautifully orchestrated show of […]

by Lance Esplund Occasionally an exhibition is as art-historically groundbreaking as it is visually arresting. Rarely, however, will it also force scholars to rewrite the origin story of European modernism. But such is the case with the aptly titled “Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde”—an enlightening, beautifully orchestrated show of […]

by Megan Kincaid This exhibition, honoring Parisian art dealer Berthe Weill (1865–1951), constitutes its subject through far-reaching networks of aesthetic trajectories, mirroring her vision for vanguard experimentation and enterprise. Weill has been largely erased from defining accounts of twentieth-century modern art despite her significant contributions. Continue Reading