Exhibition Review

“NYU’s Grey Art Museum unearths a vital female art dealer”
Make Way for Berthe Weill Exhibition Review
Washington Square News, October 30, 2024

by Siobhán Minerva Entering the Grey Art Museum, English and French chatter bounces off the walls as gallery-goers lust over harmonious impressionist paintings, absurd cubist pieces and striking fauvist colors. It is a space where well-known paintings by artists such as Henri Matisse can coexist with the works of lesser-known painters like Louis Cattiaux. Continue Reading

“This Art Dealer Paved the Way for Picasso, Matisse and Modigliani. So Why Haven’t You Heard of Her?”
Make Way for Berthe Weill Exhibition Review
Smithsonian Magazine, October 22, 2024

A new exhibition in New York celebrates Berthe Weill, an often overlooked but visionary figure who jumpstarted the careers of many of modern art’s giants by Julia Binswanger Art dealer Berthe Weill helped establish artists like Henri Matisse and Pablo Picasso throughout the first half of the 20th century. But by the end of her […]

“Matisse, Picasso, Modigliani: Berthe Weill, the forgotten gallery owner behind the great names”
Make Way for Berthe Weill Exhibition Review
Libération, October 10, 2024

by Camille Paix A New York exhibition restores the place of this dealer from the beginning of the 20th century, who had the eye and the genius to discover the great names of the pictorial avant-garde, not hesitating to give a chance to budding artists. The first female gallery owner in France, the first to […]

“Berthe Weill: Art Dealer of the Parisian Avant-Garde”
Make Way for Berthe Weill Exhibition Review
Berkshire Fine Arts, October 6, 2024

by Jessica Robinson Berthe Weill, a fiercely independent Jewish Parisian art dealer, was a woman ahead of her time. With a keen eye for the avant-garde, she helped launch the careers of some of the most iconic names in modern art. Picasso? She sold his first works. Modigliani? She organized his one and only solo […]

“Berthe Weill: Art Dealer of the Parisian Avant-Garde at NYU’s Grey Art Museum”
Make Way for Berthe Weill Exhibition Review
Medium, October 6, 2024

By Jessica Robinson as originally published in Berkshire Fine Arts Berthe Weill, a fiercely independent Jewish Parisian art dealer, was a woman ahead of her time. With a keen eye for the avant-garde, she helped launch the careers of some of the most iconic names in modern art. Picasso? She sold his first works. Modigliani? […]

“Who Was Berthe Weill? The Story of the Audacious Parisian Dealer Who Launched Matisse and Modigliani”
Make Way for Berthe Weill Exhibition Review
Artnet News, October 3, 2024

“Make Way for Berthe Weill” at Grey Art Museum in New York brings to light the forgotten legacy of the cutting-edge Parisian dealer by Karen Chernick The paintings would sometimes still be wet when Berthe Weill rushed to show them at her little Parisian gallery. Why wait, she thought, hanging the fresh artworks from a […]

“The dealer who launched Picasso”
Make Way for Berthe Weill Exhibition Feature
Apollo, September 30, 2024

The devotion of the gallerist Berthe Weill, who was a champion of Picasso and Modigliani, to the cause of modern art is finding belated – and well deserved – recognition. by Tom Stammers If in English, the genre of memoirs by art dealers probably begins with William Buchanan in 1824, it was another century before […]

Americans in Paris: Exhibition Review
“Paintings About Painting”
Real Clear Books & Culture, June 18, 2024

It was a treat to enter the Grey Art Museum’s “Americans in Paris: Artists Working in Post-War France, 1946–62” (on view through July 20). Taking in the museum’s first room, I immediately noticed that the pictures carried no didactic messages, were neither politically correct nor incorrect, and had no relation to racial or gender diversity. […]

Americans in Paris: Exhibition Review
“Paintings about painting”
The New Criterion, June 14, 2024

by Pat Lipsky It was a treat to enter the Grey Art Museum’s “Americans in Paris: Artists Working in Post-War France, 1946–62” (on view through July 20). Taking in the museum’s first room, I immediately noticed that the pictures carried no didactic messages, were neither politically correct nor incorrect, and had no relation to racial […]

Americans in Paris: Exhibition Review
“The Big Disconnect”
Tussle Magazine, June 9, 2024

by Gwenaël Kerlidou Earlier this winter, several galleries have presented the work of a few French painters who have recently elicited interest in the New York art world. Among them, in January, the Timothy Taylor Gallery showed works by Simon Hantaï in Tribeca, while in Chelsea, in March, the Matthew Marks Gallery exhibited a series […]