Roundtable Discussion (In-Person & Zoom)
Black Abstraction | Black Existentialism
In conjunction with the exhibition Americans in Paris: Artists Working in Postwar France, 1946–1962
March 2, 2024–July 20, 2024
Though many Black artists who spent time in France experimented with abstract modes of production—thus impacting the trajectory of modernist abstraction—their efforts are often eclipsed by the constraining discourses around Abstract Expressionism and Civil Rights-era protest art. This roundtable will think through and beyond modernist aesthetics, constructions of Blackness, and geopolitical relations to probe the use of abstraction as a tool of subjective expression, radical politics, or opacity for Black artists throughout the 20th and 21st centuries.
Discussants:
Lewis R. Gordon, Distinguished Professor of Philosophy and Global Affairs and Head of Philosophy, UCONN
Erich Kessel, Assistant Professor of African American and Black Diaspora Arts, Institute of Fine Arts, NYU
Darla Migan, Art critic and Faculty Lecturer, Parsons School of Design, The New School
Denise Murrell, Merryl H. and James S. Tisch Curator at Large, Metropolitan Museum of Art
Moderated by JaBrea Patterson-West, Graduate Curatorial Assistant at the Grey Art Museum, NYU, and Ph.D. candidate, Institute of Fine Arts, NYU
Co-sponsored by the Institute of Fine Arts, NYU; the Remarque Institute, NYU; and the Center for the Humanities, NYU