NeoRealismo: The New Image in Italy, 1932–1960 poignantly portrays life in Italy through the lens of photography before, during, and after World War II. While neorealism is associated primarily with cinematic and literary depictions of dire postwar conditions, this is the first major museum exhibition to highlight key photographers active at the time.
In the current global environment—with nature threatened now more than ever—how is our contemporary landscape reimagined by artists? Landscapes after Ruskin: Redefining the Sublime explores this intriguing question through artworks that confront an increasingly sinister notion of the sublime. Curated by renowned photographer Joel Sternfeld, the exhibition features approximately 60 works by over 45 artists, including paintings, photographs, sculpture, installation, film, and video. Landscapes after Ruskin was organized by the Hall Art Foundation and is on view at New York University’s Grey Art Gallery from April 17 through July 7, 2018.