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In post-Mussolini Italy, artists and photographers were left to make sense of the shattered ruins of a culture that had once developed their crafts into a well-oiled machine of nationalist propaganda. In this fascinating profile by Hyperallergic on a new exhibition at the New York University’s Grey Art Gallery, titled NeoRealismo: The New Image in Italy, 1932–1960, these pivotal years of rebuilding Italy's cultural influence after World War II are explored through the lens of photography.