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From May 8 through July 10, 2026, New York University and The Berkley Collection will present The Declaration of Independence: Long Trail to Liberty. For extended hours and more, visit theberkley.org.

Grey Art Museum programming will resume on September 9, 2026, with by Alison Knowles: A Retrospective (1960–2022) and Making Music: Helen Frankenthaler Prints from the New York University Art Collection.
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Three images side by side. The first is a black and white portrait of Virginia Zabriskie, who is seated at the center of a room, surrounded by artwork. The middle image is a painting by George Kars of Berthe Weill, who is standing in a room filled with artwork. The third image is a black and white photograph by Louis Faurer of Edith Halpert, who is seated in a room surrounded by artwork.
Images from left to right: (1) Photograph of Virginia Zabriskie surrounded by artwork (detail), n.d. Zabriskie Gallery… Images from left to right: (1) Photograph of Virginia Zabriskie surrounded by artwork (detail), n.d. Zabriskie Gallery records, 1905–2011. Archives of American Art, Smithsonian Institution. Courtesy Smithsonian Institution (2) Georges Kars, Dans le salon de peinture, 1933. Oil on plywood, 22 × 18 1/8 in. (56 × 46 cm). Private collection. Photo: Jana Hojstričová (3) Louis Faurer, Edith Halpert at the Downtown Gallery (detail), 1952. From Life magazine, 1952 © Estate of Louis Faurer
Thursday, February 20, 2025 at 6:00PM

Conversation | Women Art Dealers and the Market

Longform Content

Make Way for Berthe Weill explores how one woman art dealer helped establish the market for what we now call modern art. Join us for a conversation on women and the modern art economy with Dr. Véronique Chagnon-Burke, co-founder of Women Art Dealers Digital Archives and co-editor of Women Art Dealers: Creating Markets for Modern Art (Bloomsbury, 2024) and Rebecca Shaykin, Curator at The Jewish Museum, New York, and author of Edith Halpert, The Downtown Gallery, and the Rise of American Art (Yale, 2019). Topics will include Weill’s pioneering contributions to the profession, recent exhibitions on women dealers, and how to best promote and recover the agency of these important figures.

This conversation caps a graduate student study day on women art dealers and the market presented by the Grey in collaboration with Dr. Chagnon-Burke, NYU’s Visual Arts Administration MA Program, and the MA Program for Art Market Studies at FIT. Graduate students can contact greyartmuseum@nyu.edu for more information.

Visitor Access & Registration

Please register to attend this event. For attendance without an active NYU ID card, RSVP by February 19 to guarantee building access.

Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde will be on view at the Grey Art Museum (18 Cooper Square) from 11 am to 6 pm on February 20.

NYU’s Grey Art Museum provides reasonable accommodations to people with disabilities. Requests for accommodations should be submitted at least two weeks in advance. Please email greyartmuseum@nyu.edu or call (212) 998-6780 for assistance.

Credits

Co-sponsored by NYU’s Visual Arts Administration MA Program (Steinhardt) and the MA Program in Art Market Studies, FIT

Logo for NYU Steinhardt with black and purple text and purple torch icon, next to logo for FIT School of Graduate Studies, Art Market Studies, with icon featuring white text saying "FIT" on black circular background

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