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From May 8 through July 10, 2026, New York University and The Berkley Collection will present The Declaration of Independence: Long Trail to Liberty. For extended hours and more, visit theberkley.org.

Grey Art Museum programming will resume on September 9, 2026, with by Alison Knowles: A Retrospective (1960–2022) and Making Music: Helen Frankenthaler Prints from the New York University Art Collection.
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Sculptural assembly of metallic objects including a rose, pipes, and a portrait disk on a gray background.
Shinkichi Tajiri, Lament for Lady (for Billie Holiday), 1953. Brass, bronze, and photograph, 24 x 33 x 13 3/8 in. (61 x 83.8… Shinkichi Tajiri, Lament for Lady (for Billie Holiday), 1953. Brass, bronze, and photograph, 24 x 33 x 13 3/8 in. (61 x 83.8 x 34 cm). Collection of Giotta Tajiri and Ryu Tajiri, Baarlo, Netherlands © 2023 Artists Rights Society (ARS), New York / c/o Pictoright Amsterdam
Wednesday, February 28, 2024 at 12:00PM

Special Preview | "Americans In Paris" for NYU Administrators, Faculty, Instructors, and Staff

Longform Content

Please join us for a special preview of the Grey Art Museum's inaugural exhibition Americans In Paris: Artists Working in Postwar France, 1946–1962, for NYU administrators, faculty, instructors, and staff on Wednesday, February 28, 12:00–3:00 pm. 

The exhibition is on view March 2–July 20, 2024.

Visitor Access & Registration

No registration is required.

NYU’s Grey Art Museum provides reasonable accommodations to people with disabilities. Requests for accommodations should be submitted at least two weeks in advance. Please email greyartmuseum@nyu.edu or call (212) 998-6780 for assistance.

Credits

Americans in Paris: Artists Working in Postwar France, 1946–1962 is organized by the Grey Art Museum, New York University. Curated by Debra Bricker Balken with Lynn Gumpert, the exhibition is made possible in part by generous support from the Terra Foundation for American Art, sponsor of the international tour; the Ellsworth Kelly Foundation; Hauser & Wirth; Robert E. Holmes and David Hubensky; the Helen Frankenthaler Foundation; The Falkenstein Foundation; the O’Brien Art Foundation; Francis H. Williams and Keris Salmon; the Al Held Foundation; David Hall Gallery, LLC, Wellesley, MA; the Sam Francis Foundation; the Grey’s Director’s Circle, Inter/National Council, and Friends; and the Abby Weed Grey Trust. In-kind support is provided by ArtCare Conservation, Ryan Lee Gallery, and Les Films du Jeudi. Support for the publication has been provided by the Boris Lurie Art Foundation; the Henry Luce Foundation; and the Schaina & Josephina Lurje Memorial Foundation. Funding for travel and research was provided by the Terra Foundation for American Art; Global Research Initiatives, Office of the Provost, New York University; and the Rhode Island School of Design Professional Development Fund. This project is supported in part by an award from the National Endowment for the Arts.