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We are currently closed for exhibition installation. Mark your calendars for our opening reception on September 8, and visit us starting September 9 to view by Alison Knowles: A Retrospective (1960–2022) and Making Music: Helen Frankenthaler Prints from the New York University Art Collection.
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Abstract printed cloth artwork with blue ink patterns and attached objects, hanging on a white background. Alt-text generated by AI.
Alison Knowles, "Iliad Oddities (Greene Street)," 2010. Found objects and cyanotype on cloth, 24 x 108 in. Courtesy Alison… Alison Knowles, "Iliad Oddities (Greene Street)," 2010. Found objects and cyanotype on cloth, 24 x 108 in. Courtesy Alison Knowles Studio and James Fuentes, New York
September 9, 2026—January 30, 2027

by Alison Knowles: A Retrospective (1960–2022)

Longform Content

Organized by the Berkeley Art Museum and Pacific Film Archive (BAMPFA)


Best known as a core member of Fluxus, the avant-garde art group founded in 1962, Alison Knowles (1933–2025) created groundbreaking experiments that have influenced contemporary art for over fifty years. Organized by the Berkeley Art Museum and Pacific Film Archive (BAMPFA) and curated by Karen Moss, by Alison Knowles: A Retrospective (1960–2022) is the first comprehensive exhibition of the artist’s work, spanning the entire breadth of her career, from her intermedia works of the 1960s to her participatory and relational art from the 2000s. Knowles’s poetic artworks—including prints, sculptures and installations, sound compositions, paper scrolls, and artists’ books—emerged from her extended engagement with ordinary materials, found objects, and everyday life. Following the exhibition’s extensive international tour, the Grey Art Museum at New York University is the last, and only East Coast, venue. By Alison Knowles is accompanied by a generously illustrated 250-page exhibition catalogue co-published by BAMPFA and D.A.P., the first comprehensive book on Knowles’s work to be published by a museum.

A circular, textured paper sculptural object, with gradients of blue and brown, featuring scattered text. Alt-text generated by AI.
Alison Knowles and Amanda Degener, Tamashi, 2002. Screen print on indigo- and walnut- dyed handmade flax paper in box,…
A canvas with "BLINK" in red text, a black and yellow photo of figures, and blue scissors on a yellow background. Alt-text generated by AI.
Alison Knowles, George Brecht, Robert Watts (collaboration as Sissor Bros. Warehouse), BLINK, 1963. Screen print and…
Abstract, collage-type artwork with overlapping text, shapes, and grayscale imagery on a punch card pattern background. Alt-text generated by AI.
Alison Knowles, Taxis and Busses, c. 1959–60. Oil and screen print on canvas, 96 5/8 x 54 1/8 in. Archiv Sohm, Staatsgalerie…
A stylized print of a person eating at a table in shades of orange and brown with green and yellow text. Alt-text generated by AI. Transcribed Text:  THE IDENTICAL LUNCH George Maciunas TUNA FISH COMPLIMENTS OF StarKist Foods, Inc.
Alison Knowles, George Maciunas Performs The Identical Lunch, 1968–69, realized 1992. Screen print on canvas, 19 x 18 in.…
A person with white hair in black clothing seated on a wooden chair in an art studio. Alt-text generated by AI.
Alison Knowles in her studio, 2012. Photo: Jessica Higgins
An art installation of red objects arranged in a grid in a classical marble gallery. Alt-text generated by AI.
Installation view of Alison Knowles, Celebration Red (Homage to Each Red Thing), 1994/2016, at Alison Knowles, Carnegie…
Outdoor art installation with people interacting near dome-like structures and a sign reading "House of Dust" against a hilly landscape. Alt-text generated by AI.  Transcribed Text:  HOUSE OF DUST POEM IN PROGRESS FOR INFORMATION AND ACTIVITIES RELATING SEE ALISON KNOWLES / ART OPEN
Students gather at The House of Dust, California Institute of the Arts (CalArts), Valencia, 1971. Courtesy California…

Curator

The exhibition is curated by Karen Moss.

Tour

Following its original run at the Berkeley Art Museum and Pacific Film Archive from July 20, 2022 to February 12, 2023, the exhibition embarked on an extensive international tour: Museum Wiesbaden, Germany: September 20, 2024–January 26, 2025; Musée d’art moderne et contemporain, Saint-Étienne, France: November 8, 2025–March 15, 2026; and Nikolaj Kunstahal, Copenhagen: April 25–July 26, 2026. The Grey Art Museum at New York University is the last, and only East Coast, venue.

Credits

by Alison Knowles: A Retrospective (1960–2022) is organized by the Berkeley Art Museum and Pacific Film Archive (BAMPFA) and curated by Karen Moss. The exhibition is made possible through lead support from the Terra Foundation for American Art and from Dr. Rosalyn M. Laudati and Dr. James Pick. It is also supported in part by the National Endowment for the Arts. The presentation at the Grey Art Museum is made possible in part by generous support from the Charina Endowment Fund and the Abby Weed Grey Trust.

On the left, a deep blue rectangle with rounded corners contains the white text "BAMPFA." To the right, the word "TERRA" is written in bold blue letters. Below "TERRA," in smaller font, it reads "FOUNDATION FOR AMERICAN ART" in blue.

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