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From May 8 through July 10, 2026, New York University and The Berkley Collection will present The Declaration of Independence: Long Trail to Liberty. For extended hours and more, visit theberkley.org.

Grey Art Museum programming will resume on September 9, 2026, with by Alison Knowles: A Retrospective (1960–2022) and Making Music: Helen Frankenthaler Prints from the New York University Art Collection.
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Art gallery interior with sculptures and paintings on display, featuring a text panel titled "June Leaf Shooting from the Heart."
June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin
Art gallery with a tightrope walker sculpture and, in the bakcground, a colorful installation of cartoonish figures set against a teal blue wall.
June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin
Art gallery with colorful abstract paintings and drawings, and a tall black display case containing an artful diarama, on a wooden floor.
June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin
Art gallery with colorful installation against a teal blue wall, a central white pedestal, framed artworks, and red-headed figural sculpture on the wall.
June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin
Art gallery with sculptures and paintings on display, featuring a colorful head-shaped sculpture on a low white pedestal and various abstract artworks on the wall.
June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin
Art gallery with sculptures and paintings on display, featuring at center a colorful head-shaped sculpture on a low white pedestal.
June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin
Art gallery with a sculpture representing two figures on a jack, and abstract paintings and drawings on white walls.
June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin
Art gallery with sculptures and paintings, featuring a spiral metal sculpture, a bench near a screen displaying a documentary short, and a long, white shelf holding various metal sculptures.
June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin June Leaf: Shooting from the Heart at Grey Art Museum, NYU. Photo: Mikhail Mishin
September 9, 2025—December 13, 2025

June Leaf: Shooting From the Heart

Longform Content

Co-organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, and the Allen Memorial Art Museum, Oberlin College, Ohio


Across a career that spanned some 75 years, June Leaf (1929–2024) produced a remarkable body of work that revels in the human experience in all its banality and sublimity. Armed with indefatigable energy, an inventive mind, and a wry, closely observing eye, Leaf nimbly navigated the planes of the real and the imagined, holding a mirror up to essential truths while reminding us of our shared humanity.

Born in Chicago and trained at the New Bauhaus, Leaf experienced two formative stints in Paris before relocating to New York. The artist’s career took off here in 1968 with her carnivalesque, breakout exhibition Street Dreams at Allan Frumkin Gallery. In the 1970s, living part­time in a remote fishing village in Nova Scotia, Canada, Leaf began creating the densely layered drawings and paintings and the expressive tin and wire figurative sculptures for which she is best known.

Perpetually rearranging both complete and in-progress works in microcosmic configurations, Leaf created a recurring cast of characters, compositions, and stories that synthesized outside influences with symbols drawn from her own self-mythology. Her figures wobble, jostle, climb, and spin as they engage in a timeless struggle for agency within metaphysical chambers—some evocative of Leaf’s studios, and others of seedy bars, dollhouses, and theater stages.

Arranged thematically rather than chronologically to honor the artist’s cyclical returns to a core set of motifs, this exhibition locates Leaf in the artistic legacies of the Chicago and New York milieus to which she contributed. Playful and dark, ecstatic and esoteric, the mythic aspects of Leaf’s artistic vision defy categorization into any particular art movement, though her works display shared preoccupations with her contemporaries—including a passion for drama and urban streets, an expansive idea of the feminine, and a fascination with kinetic movement. In her studio every day to weld, draw, and paint, Leaf was an epic poet of human relations and experiences.

Metal sculpture with two figures facing each other, holding a circular frame, mounted on a vertical pole with a wooden base.
June Leaf, Two Women on a Jack, 2001. Metal, tin, wire, wood, and ratcheting-jack components. 94 1/2 x 34 1/2 x 13 1/2 in.…
Detail of a colorful abstract painting that features an eye and fingers, with a small figural scene in the middleground
Detail of June Leaf, Threading the Story Through the Eye of a Needle, c. 1974. Acrylic, ink, and graphite on paper, 18 3/4 x…
June's Hand and Sculpture, Mabou
Robert Frank, June's Hand and Sculpture, Mabou, c. 1980. Gelatin silver print, 12 1/2 x 8 5/8 in. Addison Gallery of…
Side profile of a metal humanoid sculpture with an elongated head and exaggerated features, including forward-leaning legs and large hands that reach forward.
June Leaf, Shooting from the Heart, 1980. Tin plates, rods, spring, and gears, 18 x 8 in. Addison Gallery of American Art,…
Abstract painting of a dark, elongated head with swirling textures against a pale background
June Leaf, The Mooring, 1979. Acrylic on canvas, 33 x 52 in. Estate of June Leaf. Courtesy Hyphen, New York © Estate of June…
A drawing of a face with a geodesic dome on the head and hands holding it, with colorful lines extending outward.
June Leaf, Head, 1975. Ink and colored pencil on paper, 13 7/8 x 19 7/8 in. Whitney Museum of American Art, New York.…
Abstract painting with chairs, figures in hats, and a colorful, grid-like composition.
June Leaf, Arcade Women, 1956. Oil on canvas, 69 11/16 x 98 5/8 in. Museum of Contemporary Art Chicago. Gift of Allan…
A sculpture featuring a fabric panel with abstract dark figures, supported by twisted metal rods on a wooden base.
June Leaf, White Scroll with Dancing Figures, 2008. Tin, wood, wire, acrylic on fabric, and wood, 17 x 17 x 11 1/4 in.…
Abstract collaged artwork featuring figures, a prominent standing person, and a laughing face in a sketchy style on a white background.
June Leaf, “Mother Goose” Emerging Artist in Studio, 1976. Charcoal, ink, and collage on paper, 22 1/2 x 28 1/2 in. Estate…
A diorama of a dining room with a figure made of reflective scraps seated at a table, surrounded by mirrors.
Detail of June Leaf, The Vermeer Box, 1966. Mirrors, collage, wood, glass, metal, and tin, 25 1/4 x 24 x 25 1/4 in. The…
A spiral-shaped black metal sculpture hanging in a minimalist gallery with white walls and a wooden floor.
June Leaf, To the Sky, 2022. Steel, wire, and tin, 90 x 25 x 24 in. Cordelia Nicholas, Maine. Courtesy Estate of June Leaf…
Metallic sculpture of two figures, with one in a kicking pose poised behind the other.
June Leaf, The Kick, 1976. Tinplate and wire, 7 x 6 3/4 in. Andrew and Ann Dintenfass © Estate of June Leaf. Photo: Brian…

Curators

The exhibition was curated by Allison Kemmerer, Mary Stripp and R. Crosby Kemper Director, Addison Gallery of American Art; Gordon Wilkins, Robert M. Walker Curator of American Art, Addison Gallery of American Art; and Sam Adams, Ellen Johnson ’33 Curator of Modern and Contemporary Art, Allen Memorial Art Museum

Tour

June Leaf was on view at the Addison Gallery of American Art from March 31 through July 31, 2025. After its presentation at the Grey, it will open at the Allen Memorial Art Museum on January 27, 2026, and remain on view through May 24, 2026.

Credits

June Leaf: Shooting from the Heart is co-organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, and the Allen Memorial Art Museum, Oberlin College, Ohio. Major support for this project has been provided by the Estate of June Leaf with additional funding provided by The June Leaf and Robert Frank Foundation (formerly the Andrea Frank Foundation), John and Sally Van Doren (PA 1980), and the Allen Memorial Art Museum’s John H. ’29 and Marjorie Fox ’29 Wieland Current-Use AMAM Support Fund.

The presentation at the Grey Art Museum is made possible in part by generous support from the Charina Endowment Fund; the Ann B. Ritt Charitable Foundation; an anonymous donor; Arthur Cohen and the Terra Foundation for American Art; Susan Harris; Carol Lutfy and Henk-Jan Brinkman; and the Abby Weed Grey Trust.

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